A panko cutlet beaten to an even thickness so it cooks through before the crumb burns, with a Japanese curry sauce built on a properly browned roux.
Named from the ingredients as written, including those carried in from sub-recipes. This is not a guarantee — check the labels on what you actually buy, and note that a product’s recipe can change.
Melt the butter in a saucepan over medium heat and cook the onion for 8 minutes, until soft and translucent. It does not need colour, because all the colour in this sauce comes from the roux.
Add the carrot, garlic and ginger and cook for 3 minutes.
Stir in the 30g of flour, the curry powder and the garam masala.
Cook the roux for 4 to 5 minutes, stirring constantly, until it smells toasted and turns the colour of peanut butter. Stop there. Curry powder taken past that point is bitter, and nothing added later covers it.
Pour in the hot stock a third at a time, whisking each addition completely smooth before the next. All at once gives you lumps that a sieve will not fix.
Add the grated apple, soy sauce and honey and simmer for 20 minutes, until the sauce coats the back of a spoon and holds a line drawn through it.
Blend it smooth with a stick blender if you want the glossy restaurant texture, then keep it warm over the lowest heat.
Lay each chicken breast flat and cut it horizontally into two thin cutlets.
Put each cutlet between two sheets of clingfilm and beat it with a rolling pin to an even 1cm. Evenness is the whole trick with breast: a tapered cutlet is dry at the thin end before the thick end is safe to eat.
Season both sides with the salt and pepper.
Set out three trays: the 60g of flour, the beaten eggs, and the panko.
Coat each cutlet in flour, then egg, then press it hard into the panko on both sides. Crumb that is only resting on the surface falls off in the oil and burns there.
Heat 2cm of oil in a deep frying pan to 175C. A single panko crumb dropped in should bubble steadily and take about 20 seconds to turn gold.
Fry two cutlets at a time for 3 to 4 minutes a side, until deep, even gold. Four at once drops the oil temperature and the crumb drinks oil instead of crisping.
Check for 74C/165F by pushing the probe in from the cut side so the tip sits in the middle of the cutlet rather than through the crust.
Drain the cutlets on a wire rack rather than on kitchen paper, which traps steam and softens the underside within a minute.
Rest them for 5 minutes, then slice each one crossways into 2cm strips.
Spoon the rice into warm bowls and lay the katsu beside it.
Pour the sauce over the rice and around the katsu, never over the crumb. Sauced on top, the crust is soft before the bowl reaches the table.
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The sauce is savoury-sweet and much gentler than the word curry implies: onion and carrot cooked down give it most of its sweetness, the apple adds more with an acidic edge, the soy gives salt and depth, and the spice sits low and warm with almost no heat. The roux contributes a distinct toasted-flour flavour that is the closest thing in it to a signature. Against that, the cutlet is plain — salt, pepper, fried crumb and chicken — and the plainness is the point, because it is a texture on a plate of soft things.
Toasted flour and curry powder from the roux, which is the strongest smell in the whole process and fills a kitchen within about a minute of the spices hitting the fat. Later, hot oil and frying breadcrumb, which is a sweeter and more biscuity smell than deep frying usually gives.
The whole dish is a texture argument. Panko gives a crust that shatters into distinct shards rather than crumbling, and under it the beaten breast is soft and fine-grained. The sauce is smooth, thick and clinging, and the rice is sticky. There is nothing crunchy in the bowl except the crust, which is why protecting it matters more here than in almost any other dish.
The crust cracking under the knife when the cutlet is sliced, which is the single most useful cue that the frying went right. Before that, the steady even bubbling of the oil, which should stay steady: a surge means the temperature was too high and a slowing means it has dropped.
Crunch and salt first, then the plain clean flavour of the chicken, then the sauce arrives underneath and stays, sweet then savoury then faintly warm. It finishes long and mild rather than sharp, and nothing in it spikes. That evenness is why it is comfort food and why a squeeze of something sour or a pile of pickles alongside earns its place.
Hot sauce, hot cutlet, hot rice. The cutlet has a five-minute window from the rack to the table before the residual steam inside it starts softening the crust from underneath, which is also why it rests on a rack rather than on paper.
Short-grain rice, shredded raw white cabbage, and Japanese pickles. A sharp fruity sauce on the cabbage. Cold beer or green tea.
Moderate. The roux and the frying both want attention, and neither is difficult once.
Cheap to mid. Two chicken breasts, an onion, a carrot and a bag of panko.
A deep frying pan, a rolling pin, three shallow trays for the crumbing, a wire rack and a probe thermometer.
A weeknight with an hour, or a weekend where the sauce is made in advance.
None.
The roux should be the colour of peanut butter and smell toasted. The cutlets should be an even deep gold with no pale patches, and the crumb should stand up off the surface in visible shards.
The crust should crack under a knife rather than compress. The sauce should hold a line drawn through it with a spoon.
74C/165F in the centre of the cutlet. The crust reads much hotter than the meat, so probe from the side.
Crumb falling off in the oil: it was not pressed on, or the cutlet went into the egg still floury-wet. Pale greasy crust: the oil was below temperature or the pan was crowded. Sauce lumpy: the stock went in too fast; a stick blender will rescue it. Sauce tastes floury: it needed the full twenty minutes of simmering. Sauce bitter: the roux went too far.
The sauce is better made a day ahead. The cutlets are not.
The sauce keeps five days and freezes. The cutlets keep a day and are never as good again.
Cutlets on a rack at 200C/400F for 6 to 8 minutes. Sauce in a pan with a splash of water.
The sauce freezes for three months. Crumbed raw cutlets freeze well and can be fried from frozen at a slightly lower temperature for longer.
Sliced cold katsu in a sandwich with shredded cabbage is a real dish in Japan and better than reheating.
The sauce scales freely. The frying does not, and eight cutlets means four batches and a rack in a low oven.
Japanese curry powder if you can get it, otherwise a mild supermarket curry powder with the garam masala added, which is what the recipe assumes. Chicken thigh works and is more forgiving, though it does not give the flat even cutlet the dish is built around. Vegetable stock makes it vegetarian-adjacent, but the cutlet does not.
Contains cereals containing gluten, egg, soya and milk. Not straightforwardly adaptable: the crumb, the roux and the soy are all wheat.
Japanese curry powder and panko from an Asian grocer. Everything else is a supermarket shop.
Panko in a large bag from an Asian grocer costs a fraction of the supermarket price and keeps for months.
Shallow-fried and roux-thickened, so it is substantial. The cutlet absorbs relatively little oil if the temperature is held.
The roux is the recipe. Everything else is assembly.
Japan.
Katsu kare. The cutlet is katsu, from katsuretsu, and kare is curry.
KAT-soo KA-ray.
Katsu is a shortening of katsuretsu, a Japanese rendering of the English word cutlet. It means the fried breaded cutlet and nothing else. In British usage katsu has drifted to mean the curry sauce, so that supermarkets sell katsu sauce and katsu curry made with no cutlet at all, which is a straightforward mistranslation that has become common enough to be worth naming.
Curry reached Japan in the Meiji era through Britain rather than directly from South Asia, arriving as a Western dish: curry powder in a flour-and-butter roux, thickened, sweetened and served with rice. It was adopted by the navy and then by the country at large, and Japanese curry is now sold as blocks of solid roux in every supermarket in Japan and eaten constantly at home. Tonkatsu, the breaded pork cutlet, came out of the same period of Western culinary influence and became a Japanese dish in its own right. Katsu curry combines them. Chicken katsu is a later variation on the pork original.
Japanese curry is close to a national comfort food, associated with school lunches, home cooking and cheap chain restaurants rather than with fine dining.
Everyday. It is the definition of an ordinary weeknight dinner in Japan.
The roux. A Japanese curry is thickened by a cooked flour-and-fat roux in the French manner rather than by reduction, spice paste or nut paste, and that single fact explains why it tastes unlike any South Asian curry.
In Japan the roux is now almost universally bought as a block rather than made. Outside Japan, katsu curry became a British high-street staple through Japanese restaurant chains and supermarket sauce pots from the 1990s onwards, which is also where the name drifted.
Countless within Japan, by sweetness, heat and thickness. Regional versions swap the cutlet for prawn, beef or croquettes.
The roux is made from scratch rather than from a block, which is the main difference from how this is cooked in most Japanese homes, and it is why the sauce here tastes less uniform and more toasted.
None to an individual.